
KunstenaarSwedish
Inger Persson
4 actieve items
Inger Birgitta Persson was born on December 26, 1936, in Sandarne outside Söderhamn. She studied at Konstfack in Stockholm from 1955 to 1959, where Stig Lindberg, one of the defining figures in twentieth-century Scandinavian ceramics, was among her teachers. The director of the Rörstrand factory attended her graduation exhibition and offered her a position before she had finished her degree. She joined the factory in 1959 at the age of twenty-two.
At Rörstrand, Persson worked during what many consider the factory's creative peak, alongside a generation of designers who pushed the boundaries of what Swedish industrial ceramics could be. Her work encompassed tableware in both porcelain and stoneware, sculptural vases, wall sculptures, and small animal figures. She belonged to a cohort who brought wit and formal experimentation into what had been a more conservative production context, and this showed clearly in the work that would make her best known.
The Pop teapot, designed in 1968, became an international commercial and critical success. Its rounded, almost cartoonish silhouette, deliberately soft and playful against the harder geometry of late-1960s design, captured something of its moment without becoming merely fashionable. It remains one of the most reproduced images in discussions of Swedish postwar design. Persson left Rörstrand in 1971 when the company was going through a difficult period, and spent the next decade running her own studio, teaching at the Folkhögskola in Tidaholm, and taking on freelance work, including a series of designs for the Danish manufacturer Knabstrup, among them the Tundra and Partyline series.
She returned to Rörstrand in 1981 and remained until 1996. This second period produced some of her most sought-after studio work: the Ballongvas series, slightly asymmetric stoneware vases with matte glazes in bold, deliberate colors. Where the Pop pieces had engaged with mass production and humor, the balloon vases were quieter and more meditative objects, less tied to a specific cultural moment. Persson died in 2021 at the age of eighty-four.
On the secondary market, Persson's work surfaces regularly across Swedish regional auction houses and on Auctionet, reflecting broad collector awareness rather than concentrated interest at the top end. The auction data for her shows 79 items tracked on Auctionist, with the market weighted toward ceramics, stoneware sculptures and vases account for the large majority of lots. Recorded top prices include a stoneware Rörstrand sculpture at 3,751 SEK, a Rörstrand table lamp at 3,532 EUR, and a Ballongvas stoneware at 2,601 SEK. The lamp result is notably higher than typical stoneware pieces, reflecting the crossover appeal of her work into decorative lighting. Prices remain accessible for most pieces, making her work a consistent presence at auction rather than a trophy category.