
Merk
Céline
0 actieve items
The house that would become one of France's most closely watched luxury fashion brands began, quietly, in 1945 as a custom children's shoe shop on the Rue de Malte in Paris. Céline Vipiana and her husband Richard opened the business with modest ambitions, but it grew steadily through the 1950s as the couple extended their offer to women's footwear and then to leather goods - gloves, handbags, loafers - that earned a devoted following among Parisian women who valued quality over ostentation. In 1973, Vipiana introduced the brand's Blazon Chaine logo, an interlocking double-C design drawing on the geometry of the Arc de Triomphe, which became central to the house's visual identity for decades.
Vipiana ran the house until 1997, the year of her death, by which point the LVMH group had acquired Celine for approximately 2.7 billion French francs - a transaction completed in 1996 that placed the brand within the world's most powerful luxury portfolio. Bernard Arnault's group moved quickly to bring in outside creative leadership. Michael Kors became the first women's ready-to-wear designer for the house in 1997, steering Celine toward a looser, American-inflected version of Parisian ease. His tenure lasted until 2003, after which Roberto Menichetti and Ivana Omazic held the creative director position before Phoebe Philo arrived in 2008 and changed everything.
Philo's decade at Celine - she departed in 2017 - is now discussed as one of the more significant stretches of recent fashion history. Her approach stripped back the house's visual language to a considered, almost austere minimalism: clean cuts, generous proportions, a philosophy of dressing that prioritized comfort and quality of construction over decoration or branding. The bags she introduced in this period became cultural reference points. The Luggage tote, the Phantom Cabas, the Trapeze, and the Box bag each attracted a following that made Celine one of the most copied aesthetics of the 2010s. When Philo left and Hedi Slimane replaced her in 2018, the market response was immediate: resale prices for Philo-era pieces surged by as much as 30 percent, and searches on platforms like Vestiaire Collective spiked by several hundred percent in the weeks following Slimane's first collection reveal.
Slimane's appointment brought a visible break from the previous direction. He removed the accent from Céline, reverting to the brand's original 1960s spelling, and introduced a new visual identity with rock-inflected references and a tighter, more youth-oriented silhouette. The rebrand was polarizing; it cemented the distinction between two eras in the house's recent history that collectors and resellers now treat as essentially separate markets. After Slimane's departure from Celine in 2023, Michael Rider was appointed as creative director, continuing the house's pattern of bringing in established talent to navigate its post-Philo identity.
Celine has maintained an active presence in the Nordic secondary market, where demand is concentrated heavily around accessories from the Philo era. On the Auctionist platform, 39 lots carrying the Celine name have appeared, with Bukowskis Stockholm handling the largest volume (15 lots), followed by Stockholms Auktionsverk Magasin 5 (8 lots), Bukowskis Västberga (5 lots), Bukowskis Helsinki (3 lots), and Stockholms Auktionsverk Malmö (3 lots). The top recorded sale was a Cabas Phantom Tote at 8,900 EUR. Other strong performers include a group of three scarves at 2,805 EUR, leather belts at 2,300 EUR, and vintage accessories in lower price bands. The concentration of activity at Bukowskis reflects the house's position in the Swedish market as a standard-bearer for wearable, understated luxury.