
DesignerSwedish
Lars Bessfelt
0 active items
Lars Bessfelt picked up a pencil and started drawing lamps at age 14, not out of formal ambition but because his father Gösta, a furniture salesman in Skåne, needed fresh models for his catalog. That early collaboration produced the Pinnlampan - a pine-and-patterned-fabric floor lamp with a Velcro-attached shade that could be unclipped and washed - which became a quiet hit across northern Sweden in the early 1960s.
By 1970, Bessfelt was confident enough to enter two models in the lighting competition at the Gothenburg Furniture & Lighting Fair, and he won first prize in both categories: the Blenda model took the bedside lamps class, while Halta Lotta won in reading and work lighting. The prizes marked his entry into professional Swedish lighting design at a time when Scandinavian manufacturers were redefining what a domestic lamp could look like.
His most sustained collaboration was with Ateljé Lyktan, based in Åhus on the south Swedish coast. For them he developed the bentwood Grevie and Torup series in the 1970s, then in 1984 launched the Triggy lamp together with ceramist Christian von Sydow, a neighbor in the village of Anderslöv where Bessfelt had settled with his wife Lisa in the late 1970s. The triangular Triggy - appearing both as a floor and table version - used von Sydow's ceramic base as a counterweight to the bent pine form. Through the late 1980s and early 1990s he continued adding to the Ateljé Lyktan catalog: the Cleo, Bombus, Hanö, Slits and Birka luminaires all came from his workshop in this period.
In 1981 Lars and Lisa formally founded Ateljén, their own production company in Anderslöv. Thirteen years later, in 1994, Bessfelt took a further step and launched the ZLAMP brand - designing, manufacturing and selling entirely under his own name from the same Anderslöv premises on Östergatan. The following year ZLAMP debuted at the Stockholm Furniture Fair and drew immediate attention; a long-running partnership with the furniture retailer Norrgavel followed, channeling ZLAMP pieces into one of Sweden's most visible natural-materials design chains. Bessfelt's guiding principle across six decades of work has been the same: that a lamp must balance aesthetics, function and environmental responsibility, with materials traceable to the smallest detail.
On the auction market, Bessfelt's designs circulate primarily in Sweden, handled by houses such as Garpenhus Auktioner and Stockholms Auktionsverk Magasin 5. The 30 items recorded on Auctionist are dominated by lighting - floor lamps, table lamps and ceiling fixtures - with the Triggy and Hockey models appearing most often. Realized prices sit in a modest range, from a few hundred to around 2,800 SEK, reflecting the secondary-market status of well-made Scandinavian design pieces from the 1970s and 1980s rather than any scarcity of supply.