ArtistHungarian-Swedish
Akos Sollar
1 active items
Akos Sollar was born on 9 August 1942 in Veszprem, Hungary, and has built a career that traces the cultural migrations of post-war Central Europe toward Scandinavia. His formation as an artist was deliberately pan-European: he began at the College of Applied Arts in Budapest (1961-1962), continued at the Academy of Fine Arts in Warsaw (1963-1965), then moved to Paris for study at the Academie des Beaux-Arts (1965-1967), before settling his trajectory north with a final period at Konstfack in Stockholm (1967-1969).
This itinerary placed him in conversation with a range of European modernisms at a moment when each city - Budapest, Warsaw, Paris, Stockholm - carried its own distinct postwar inflection. Warsaw in the mid-1960s was a centre of expressive figuration emerging from socialist realism; Paris offered the full range of the postwar school; Stockholm gave access to Swedish functionalism and the Scandinavian material culture that would surround him for the rest of his working life.
His exhibition debut came early. He participated in 'Young Talents' in Budapest in 1963, followed by the Young Artists of Warsaw shows in 1964 and 1965. Paris brought appearances in the Salon des Jeunes and the Prix de Rome competition in 1966. After settling in Sweden, he exhibited at Galleri Heland in Stockholm and has maintained a sustained presence in the Swedish regional gallery circuit, including WEFA Konst in Jönköping and Metropol.
Sollar spent much of his professional life in the Nässjö region of Smaland. He taught drawing at Centralskolan in Nassjo in the early 1970s and went on to teach art at Sörängens folkhögskola until 2008, a commitment of nearly four decades to arts education in the Swedish countryside. His paintings are held in the art collections of Nässjö municipality.
At auction his work appears primarily through Swedish regional houses, with oil on canvas paintings circulating through Gomér & Andersson in Jönköping as the most consistent venue. Works span figurative and expressive subjects - the title 'The Silence' for a large 120 x 160 cm canvas suggests an interior contemplative tendency. His auction presence reflects a quiet regional standing rather than a market with broad institutional reach, consistent with a career built through sustained local engagement rather than international exhibition.